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Rucellai Madonna : ウィキペディア英語版
Rucellai Madonna

The ''Rucellai Madonna'' is a panel painting by the late medieval Italian painter Duccio di Buoninsegna from Siena. Originally painted for the Societa di S Maria Virginis for the church of Santa Maria Novella, the painting now resides in the Uffizi Gallery in Florence. The painting depicts the Virgin and Child enthroned, surrounded by angels on a gold background.
== History ==
The altarpiece was commissioned by the ''Compagnia dei Laudesi'' for the church of Santa Maria Novella in Florence. The ''Rucellai Madonna'' is Duccio's earliest work for which there is documentation. The work was designed for the main altar of the church, but the current name reflects its later use in the Rucellai family's chapel within the church. In a contract dated 15 April 1285, Duccio was commissioned to paint a panel for which he was to be paid 150 lire. The contract's only requirements were that the Virgin and Child and "other figures" should be present, but gave no other instructions as to its contents or style. The document stated that if the final work failed to please, the artist would retain possession of the painting and no payment would be made.〔(Oxford Art Online )〕
In the 16th century, the art historian Giorgio Vasari mistakenly attributed the ''Rucellai Madonna'' to Duccio's contemporary, Cimabue, in his ''Lives of the Most Eminent Painters, Sculptors, and Architects''. This mistake went unchallenged for centuries; in the 19th century Frederic Leighton was to show the Rucellai Madonna paraded through the streets in his first major painting ''Cimabue's Celebrated Madonna Carried in Procession'' (1853-5). 〔(【引用サイトリンク】title=Cimabue's Celebrated Madonna )〕 In 1889, however historian Franz Wickhoff compared stylistic choices between the Rucellai Madonna and Duccio's Maestà, and soon other critics agreed that Duccio had indeed painted the Madonna.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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